AC/DC 's rowdy image, giant riffs and macho lyrics about sex, drinking and damnation have helped make them one of the top hard-rock bands in history. When they first emerged from Australia in the Seventies, the primal simplicity of their songs and riffs fell on deaf ears of more prog-attuned American rock fans; in fact, they were initially marketed as a punk band. But that started to change by decade's end. And thanks in large part to duck-walking, knickers-clad guitar showman Angus Young, who became as famous for mooning audiences as for his gritty blues-based lead guitar, the group has remained one of the world's most dependable concert draws. AC/DC's albums consistently go platinum, despite never having produced a Top Twenty single in the U.S.
The guitar-playing brothers Angus and Malcolm Young moved with their family from Scotland to Sydney in 1963. After forming the first version of AC/DC in 1973, they added bawdy growler Bon Scott a year later, followed by the boogiefied rhythm section of drummer Philip Rudd and bassist Mark Evans. Their first four albums were produced by ex-Easybeats Harry Vanda and George Young, Malcolm and Angus' older brother. The group had gained a solid reputation among raucous hordes in their homeland early on, but not until 1979, with the platinum Highway to Hell (Number 17, 1979), did they become a presence on the American charts.
In February 1980, not long after AC/DC's American breakthrough, Bon Scott died from choking on his own vomit after an all-night drinking binge. Two months later he was replaced by comparably gruff ex-Geordie vocalist Brian Johnson, and less than four months after that, Back in Black began a yearlong run on the U.S. chart, peaking at Number Four (1980). Spurred by the never-say-die title track and the hard-swinging double-entendre "You Shook Me All Night Long," both of which ultimately proved standard source material for acts ranging from country to hip-hip, the album has sold more than 22 million copies to date, making it the fifth best-selling album in U.S. history.
Dirty Deeds Done Dirt Cheap, a 1981 reissue of a 1976 Australian LP, went to Number Three in the U.S., followed by For Those About to Rock, We Salute You, the group's first U.S. Number One LP, in late 1981. The less spectacular showings of the gold albums Flick of the Switch (Number 15, 1983) and Fly on the Wall (Number 32, 1985) gave way to the multiplatinum Who Made Who (the soundtrack to Maximum Overdrive) and The Razors Edge (Number Two, 1990). The latter contains the group's closest thing to a hit chart single, "Moneytalks" (Number 23, 1991). (The ubiquity of a number of AC/DC songs, especially those from Back in Black, is merely history catching up; this may well be rock's ultimate long-tail band.)
In January 1991, three fans were crushed to death at an AC/DC show in Salt Lake City, Utah. In late 1992, the group paid the families of the three deceased teenagers an undisclosed sum, following an out-of-court settlement. Other parties to the settlement included the convention center, the concert's promoter and the company in charge of security.
AC/DC laid low until 1995, when the Rick Rubin-produced Ballbreaker (which also marked the return of drummer Phil Rudd) entered the charts at Number Four. The bulk of the five-CD box set Bonfire, released in 1997, was made up of live tracks recorded in 1977 and 1979, as well as of a remastered version of Back in Black. It marked the first time AC/DC had released material featuring Bon Scott since the singer's death.
With older brother George Young back on board as producer, Stiff Upper Lip (Number Seven, 2000) confirmed AC/DC's status as one of the most enduringly popular hard-rock bands on the planet. Wisely sticking to its time-tested formula of no-frills riffing, the band followed the record's release with extensive touring, during which Angus Young wore, as always, a schoolboy uniform. (That outfit has become such a part of rock legend that it was included in Rock Style, an exhibit at New York's Metropolitan Museum of Art, which opened in 1999.)
In 2008, AC/DC returned with Black Ice, on which their signature stomp was stubbornly unaltered. It was their first album since 1981 to hit Number One in the United States; it debuted at the top of the charts in 28 other counties as well. In its first week in the U.S., sold exclusively through Wal-Mart, it moved 784,000 units. It was followed in late 2009 by the retrospective box set Backtracks, the deluxe edition of which comprised three CDs, two DVDs, and one LP of studio and live rarities. That year, the Recording Industry Association of America declared AC/DC the ninth-best selling artist in the U.S. ever. Boxscores, meanwhile, ranked the band's 2009 live tour behind only U2, Madonna, and Bruce Spingsteen in terms of gross and attendance. More than three and a half decades into the band's career, AC/DC showed no sign of letting up.
Portions of this biography appeared in The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001).
Saturday, July 30, 2011
Friday, July 29, 2011
Jethro Tull - Special Biography
Named for no apparent reason after an 18th-century British agronomist who invented the machine drill for sowing seed, Jethro Tull has been one of the most commercially successful and eccentric progressive-rock bands. In 1987, two decades after its founding, the band won a Grammy for Best Hard Rock/Metal Performance, Vocal or Instrumental, for Crest of a Knave.
Jethro Tull began as a blues-based band with some jazz and classical influences, and was initially proclaimed by the British press in 1968 as "the new Cream." By the early 1970s, it had expanded into a full-blown classical-jazz-rock-progressive band and in the late 1970s turned toward folkish, mostly acoustic rock, all the while selling millions of albums and selling out worldwide tours. Jethro Tull's driving force is Ian Anderson. With his shaggy mane, full beard, and penchant for traditional tartan-plaid attire, Anderson acquired a reputation as a mad Faginesque character with his Olde English imagery and stage antics like playing the flute or harmonica while hopping up and down on one leg. (He confessed to ROLLING STONE in 1993 that he had only recently learned the correct fingerings.)
Anderson moved to Blackpool as a child and met the future members of Jethro Tull in school. He and members of both early and later Jethro Tull lineups formed the John Evan Band in the mid-'60s, which played in northern England with middling success. In late 1967 the band regrouped as Jethro Tull, adding guitarist Mick Abrahams and drummer Clive Bunker, and Anderson taught himself the flute.
The band had its first big success at the 1968 Sunbury Jazz and Blues Festival in England. Tull recorded its debut, This Was, that summer, and by autumn it was high on the LP chart in England. The album was released in the U.S. in 1969, and though it sold only moderately, critics hailed the band. That year the British music weekly Melody Maker made Jethro Tull its #2 Band of the Year, after the Beatles (the Rolling Stones were third). Abrahams left after the first LP (Black Sabbath's Tony Iommi briefly replaced him) to form Blodwyn Pig [see entry] and later the Mick Abrahams Band.
Jethro Tull's first U.S. tour in 1969 paved the way for the chart success of Stand Up (#20), on which Martin Barre replaced Abrahams. One of the more popular numbers on that album was an Anderson flute instrumental based on a Bach "Bouree." (This Was had featured Rahsaan Roland Kirk's "Serenade to a Cuckoo"; Anderson had acquired his trademark flute effects —singing through the flute and flutter-tonguing —from Kirk.) Tull's next LP, Benefit (#11, 1970), went gold in the U.S., and the group began selling out 20,000-seat arenas. Cornick left to form Wild Turkey and was replaced by Jeffrey Hammond-Hammond, a childhood buddy of Anderson's who'd been mentioned in several Tull tunes ("A Song for Jeffrey," "Jeffrey Goes to Leicester Square," "For Michael Collins, Jeffrey and Me").
By far the band's most successful record in the United States, Aqualung (#7, 1971) was an antichurch/pro-God concept album, which eventually sold over 5 million copies worldwide, yielding FM standards like "Cross-Eyed Mary," "Hymn 43," and "Locomotive Breath." Then Bunker left to form the abortive Jude with ex–Procol Harum Robin Trower, ex–Stone the Crows Jim Dewar, and Frankie Miller. His replacement was Barriemore Barlow, whose superlative technique was put to good use on Thick as a Brick, another concept album in which one song stretched over two sides in a themes-and-variations suite, a vague protest against Life Itself. The album reached #1 in the U.S. and went gold. A Passion Play (#1, 1973) followed the same format but was even more elaborate; critics soundly thrashed Anderson for his indulgence, resulting in his permanent mistrust of the music press and a two-year touring layoff.
However, the heavily orchestrated War Child (#2, 1974) became Tull's next gold LP (the Living in the Past compilation, with a hit in its title tune, had also gone gold) and yielded a #12 hit single in "Bungle in the Jungle."
Minstrel in the Gallery (#7, 1975), Tull's first extended flirtation with Elizabethan folk ideas, went gold, and M.U. —The Best of Jethro Tull (#13, 1976) went platinum. Hammond-Hammond then left, replaced by John Glascock. In the title cut of Too Old to Rock 'n' Roll (#14, 1976), Anderson turned ironic self-deprecation into self-glorification. Songs From the Wood (#8, 1977), with its minor hit single "The Whistler," was Tull's deepest exploration into acoustic folk (Anderson had just produced an LP for Steeleye Span). The band's next two albums continued to merge the rustic with Anderson's tortuously intricate classical/jazz/rock thematics.
During 1978 Glascock's health deteriorated, and he was replaced by Tony Williams. Glascock died in 1979 after undergoing heart surgery, and his replacement was former Fairport Convention member Dave Pegg. Before "A" (#30, 1980), Anderson revamped the band to include ex–Roxy Music Eddie Jobson and Mark Craney. The tour supporting "A" was documented and incorporated into the long-form video Slipstream. Beginning with The Broadsword and the Beast (#19, 1982), Anderson cowrote material with Peter Vettese, who had also worked with him on his solo album, Walk Into Light. The following year's Under Wraps continued to evince the group's new keyboard-dominated sound and, by Tull standards, was a flop, topping at #76.
In 1984 a throat problem forced Anderson to forgo singing for the next three years. By then he had established a profitable business raising salmon in Scotland. The first album he recorded after that involuntary hiatus was Crest of a Knave (#32, 1987), the group's first gold album since Stormwatch and the recipient of the first-ever Best Hard Rock/Metal Performance Grammy. Many observers felt that given the competition (which included Metallica and AC/DC) and the ill-fitting category, this was one of the more ridiculous awards in Grammy history. Jethro Tull hit the road, but Rock Island stalled at #56, and even a return to a more blues-influenced sound could not pull Catfish Rising past #88. Interestingly, in the U.K. that album debuted at #1 on both the heavy-metal and folk/roots charts. A Little Light Music, a live recording of a stripped-down Tull consisting of only Anderson, Barre, Dave Pegg, with Dave Mattacks on drums, went only to #150.
A silver-anniversary world tour ran from early 1993 to mid-1994. Once it ended, Anderson began work on an album for EMI's classical division, and Martin Barre released his first solo album. Although Jethro Tull is not the commercial force it once was (1999's studio offering, J-Tull Dot Com, peaked at only #161), its catalogue still sells phenomenally well, and its best-known songs are staples of AOR and classic-rock radio.
This biography originally appeared in The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001).
Jethro Tull began as a blues-based band with some jazz and classical influences, and was initially proclaimed by the British press in 1968 as "the new Cream." By the early 1970s, it had expanded into a full-blown classical-jazz-rock-progressive band and in the late 1970s turned toward folkish, mostly acoustic rock, all the while selling millions of albums and selling out worldwide tours. Jethro Tull's driving force is Ian Anderson. With his shaggy mane, full beard, and penchant for traditional tartan-plaid attire, Anderson acquired a reputation as a mad Faginesque character with his Olde English imagery and stage antics like playing the flute or harmonica while hopping up and down on one leg. (He confessed to ROLLING STONE in 1993 that he had only recently learned the correct fingerings.)
Anderson moved to Blackpool as a child and met the future members of Jethro Tull in school. He and members of both early and later Jethro Tull lineups formed the John Evan Band in the mid-'60s, which played in northern England with middling success. In late 1967 the band regrouped as Jethro Tull, adding guitarist Mick Abrahams and drummer Clive Bunker, and Anderson taught himself the flute.
The band had its first big success at the 1968 Sunbury Jazz and Blues Festival in England. Tull recorded its debut, This Was, that summer, and by autumn it was high on the LP chart in England. The album was released in the U.S. in 1969, and though it sold only moderately, critics hailed the band. That year the British music weekly Melody Maker made Jethro Tull its #2 Band of the Year, after the Beatles (the Rolling Stones were third). Abrahams left after the first LP (Black Sabbath's Tony Iommi briefly replaced him) to form Blodwyn Pig [see entry] and later the Mick Abrahams Band.
Jethro Tull's first U.S. tour in 1969 paved the way for the chart success of Stand Up (#20), on which Martin Barre replaced Abrahams. One of the more popular numbers on that album was an Anderson flute instrumental based on a Bach "Bouree." (This Was had featured Rahsaan Roland Kirk's "Serenade to a Cuckoo"; Anderson had acquired his trademark flute effects —singing through the flute and flutter-tonguing —from Kirk.) Tull's next LP, Benefit (#11, 1970), went gold in the U.S., and the group began selling out 20,000-seat arenas. Cornick left to form Wild Turkey and was replaced by Jeffrey Hammond-Hammond, a childhood buddy of Anderson's who'd been mentioned in several Tull tunes ("A Song for Jeffrey," "Jeffrey Goes to Leicester Square," "For Michael Collins, Jeffrey and Me").
By far the band's most successful record in the United States, Aqualung (#7, 1971) was an antichurch/pro-God concept album, which eventually sold over 5 million copies worldwide, yielding FM standards like "Cross-Eyed Mary," "Hymn 43," and "Locomotive Breath." Then Bunker left to form the abortive Jude with ex–Procol Harum Robin Trower, ex–Stone the Crows Jim Dewar, and Frankie Miller. His replacement was Barriemore Barlow, whose superlative technique was put to good use on Thick as a Brick, another concept album in which one song stretched over two sides in a themes-and-variations suite, a vague protest against Life Itself. The album reached #1 in the U.S. and went gold. A Passion Play (#1, 1973) followed the same format but was even more elaborate; critics soundly thrashed Anderson for his indulgence, resulting in his permanent mistrust of the music press and a two-year touring layoff.
However, the heavily orchestrated War Child (#2, 1974) became Tull's next gold LP (the Living in the Past compilation, with a hit in its title tune, had also gone gold) and yielded a #12 hit single in "Bungle in the Jungle."
Minstrel in the Gallery (#7, 1975), Tull's first extended flirtation with Elizabethan folk ideas, went gold, and M.U. —The Best of Jethro Tull (#13, 1976) went platinum. Hammond-Hammond then left, replaced by John Glascock. In the title cut of Too Old to Rock 'n' Roll (#14, 1976), Anderson turned ironic self-deprecation into self-glorification. Songs From the Wood (#8, 1977), with its minor hit single "The Whistler," was Tull's deepest exploration into acoustic folk (Anderson had just produced an LP for Steeleye Span). The band's next two albums continued to merge the rustic with Anderson's tortuously intricate classical/jazz/rock thematics.
During 1978 Glascock's health deteriorated, and he was replaced by Tony Williams. Glascock died in 1979 after undergoing heart surgery, and his replacement was former Fairport Convention member Dave Pegg. Before "A" (#30, 1980), Anderson revamped the band to include ex–Roxy Music Eddie Jobson and Mark Craney. The tour supporting "A" was documented and incorporated into the long-form video Slipstream. Beginning with The Broadsword and the Beast (#19, 1982), Anderson cowrote material with Peter Vettese, who had also worked with him on his solo album, Walk Into Light. The following year's Under Wraps continued to evince the group's new keyboard-dominated sound and, by Tull standards, was a flop, topping at #76.
In 1984 a throat problem forced Anderson to forgo singing for the next three years. By then he had established a profitable business raising salmon in Scotland. The first album he recorded after that involuntary hiatus was Crest of a Knave (#32, 1987), the group's first gold album since Stormwatch and the recipient of the first-ever Best Hard Rock/Metal Performance Grammy. Many observers felt that given the competition (which included Metallica and AC/DC) and the ill-fitting category, this was one of the more ridiculous awards in Grammy history. Jethro Tull hit the road, but Rock Island stalled at #56, and even a return to a more blues-influenced sound could not pull Catfish Rising past #88. Interestingly, in the U.K. that album debuted at #1 on both the heavy-metal and folk/roots charts. A Little Light Music, a live recording of a stripped-down Tull consisting of only Anderson, Barre, Dave Pegg, with Dave Mattacks on drums, went only to #150.
A silver-anniversary world tour ran from early 1993 to mid-1994. Once it ended, Anderson began work on an album for EMI's classical division, and Martin Barre released his first solo album. Although Jethro Tull is not the commercial force it once was (1999's studio offering, J-Tull Dot Com, peaked at only #161), its catalogue still sells phenomenally well, and its best-known songs are staples of AOR and classic-rock radio.
This biography originally appeared in The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001).
Judas Priest - Special Biography
Judas Priest, a leather-clad heavy-metal band, was formed by guitarist K.K. Downing and bassist Ian Hill. In 1971 frontman Rob Halford joined (he'd previously worked in theatrical lighting), having met Hill, whom his sister was then dating (and later married). The band didn't get a contract until 1974, just after guitarist Glenn Tipton joined. Its first LP was released that year, but both it and the 1976 follow-up, Sad Wings of Destiny, sold marginally.
The band to develop a following in England, and in 1977 Priest signed with Columbia, which released Sin After Sin. Produced by ex-Deep Purple bassist Roger Glover, Sin featured guest drummer Simon Phillips and an unlikely heavy-metal version of Joan Baez's "Diamonds and Rust," similar in style to Nazareth's 1973 treatment of Joni Mitchell's "This Flight Tonight." The group's songs, highlighted by Tipton and Downing's dual lead-guitar attack, were catchier and shorter than most other early-'70s heavy metal, anticipating late-decade acts like Def Leppard.
Stained Class (#173, 1978) featured new drummer Les Binks, replaced with ex-Trapeze member Dave Holland after Priest's live-in-Japan Unleashed in the East (#70, 1979). The live LP included a version of Fleetwood Mac's "Green Manalishi." Over the years Judas Priest became increasingly known for its extravagant live show, which featured Halford, in his trademark S&M gear, thundering onstage on a Harley Davidson motorcycle. The band's seventh album, 1980's British Steel (#34), was its first U.S. Top 40 entry, and a heavy metal landmark. Concise songs like "Living After Midnight" and "Breaking the Law" mated metal aggression with new-wave melodicism. Both went Top 20 in Britain.
The 1981 follow up, Point of Entry (#39, 1981), failed to build on the band's momentum, but the platinum Screaming for Vengeance (#17, 1982) broke Judas Priest in a big way stateside, and gave the group its closest thing to an American hit single, "You've Got Another Thing Comin'" (#67, 1982). The song's stylish video showed Priest performing on a laser-lit stage while a conservative business type outfitted in a trench coat and bowler hat appears to be fleeing some unseen, sinister force. At the clip's end, Tipton and Downing's guitars explode —as does the character's head, literally —leading to a powerful climax.
In 1986 Judas Priest became the unwitting object of controversy when the parents of two mentally unstable Reno, Nevada teenagers sued both the group and Columbia Records for $6.2 million, claiming that a song on 1978's Stained Class contained subliminal messages that drove their sons to shoot themselves in 1985. One died instantly; the other lived but overdosed fatally on methadone three years later. Priest was acquitted of all charges in the six-week 1990 trial. The gold Painkiller came out shortly thereafter.
Halford, who'd relocated to Arizona in the early '80s and then moved to San Diego in 1999, abruptly quit Judas Priest in December 1992 to form his own band, the grungy Fight, which was active in the mid-'90s. (Scott Travis, Priest's drummer since 1990, assisted him, but remained in Judas Priest). Later in the decade, Halford led the industrial Two, which signed to Trent Reznor's nothing label. He also briefly fronted a post-Ozzy Black Sabbath, and collaborated with Pantera. In 1998 he obliterated many a metal stereotype (and confirmed years' worth of rumors) by openly announcing his homosexuality. In 1999 he returned to metal under the name Halford and parted ways with nothing.
Tipton released a solo album in 1997. The four remaining members of Judas Priest auditioned vocalist Tim "Ripper" Owens, a longtime fan who had fronted a JP tribute act. He joined his idols after singing only a portion of one song. The group's first album sans Halford, Jugulator, peaked at #82 in 1997.
This biography originally appeared in The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001).
The band to develop a following in England, and in 1977 Priest signed with Columbia, which released Sin After Sin. Produced by ex-Deep Purple bassist Roger Glover, Sin featured guest drummer Simon Phillips and an unlikely heavy-metal version of Joan Baez's "Diamonds and Rust," similar in style to Nazareth's 1973 treatment of Joni Mitchell's "This Flight Tonight." The group's songs, highlighted by Tipton and Downing's dual lead-guitar attack, were catchier and shorter than most other early-'70s heavy metal, anticipating late-decade acts like Def Leppard.
Stained Class (#173, 1978) featured new drummer Les Binks, replaced with ex-Trapeze member Dave Holland after Priest's live-in-Japan Unleashed in the East (#70, 1979). The live LP included a version of Fleetwood Mac's "Green Manalishi." Over the years Judas Priest became increasingly known for its extravagant live show, which featured Halford, in his trademark S&M gear, thundering onstage on a Harley Davidson motorcycle. The band's seventh album, 1980's British Steel (#34), was its first U.S. Top 40 entry, and a heavy metal landmark. Concise songs like "Living After Midnight" and "Breaking the Law" mated metal aggression with new-wave melodicism. Both went Top 20 in Britain.
The 1981 follow up, Point of Entry (#39, 1981), failed to build on the band's momentum, but the platinum Screaming for Vengeance (#17, 1982) broke Judas Priest in a big way stateside, and gave the group its closest thing to an American hit single, "You've Got Another Thing Comin'" (#67, 1982). The song's stylish video showed Priest performing on a laser-lit stage while a conservative business type outfitted in a trench coat and bowler hat appears to be fleeing some unseen, sinister force. At the clip's end, Tipton and Downing's guitars explode —as does the character's head, literally —leading to a powerful climax.
In 1986 Judas Priest became the unwitting object of controversy when the parents of two mentally unstable Reno, Nevada teenagers sued both the group and Columbia Records for $6.2 million, claiming that a song on 1978's Stained Class contained subliminal messages that drove their sons to shoot themselves in 1985. One died instantly; the other lived but overdosed fatally on methadone three years later. Priest was acquitted of all charges in the six-week 1990 trial. The gold Painkiller came out shortly thereafter.
Halford, who'd relocated to Arizona in the early '80s and then moved to San Diego in 1999, abruptly quit Judas Priest in December 1992 to form his own band, the grungy Fight, which was active in the mid-'90s. (Scott Travis, Priest's drummer since 1990, assisted him, but remained in Judas Priest). Later in the decade, Halford led the industrial Two, which signed to Trent Reznor's nothing label. He also briefly fronted a post-Ozzy Black Sabbath, and collaborated with Pantera. In 1998 he obliterated many a metal stereotype (and confirmed years' worth of rumors) by openly announcing his homosexuality. In 1999 he returned to metal under the name Halford and parted ways with nothing.
Tipton released a solo album in 1997. The four remaining members of Judas Priest auditioned vocalist Tim "Ripper" Owens, a longtime fan who had fronted a JP tribute act. He joined his idols after singing only a portion of one song. The group's first album sans Halford, Jugulator, peaked at #82 in 1997.
This biography originally appeared in The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001).
John Paul Jones - Special Biography
Use of the name John Paul Jones on sheet music publications in the '30s represents a miniscule pimple in the grand history of the name, occurring roughly halfway between the Revolutionary War and the invention of hard rock, eras in which people named John Paul Jones did important things. Perhaps the name could have had a similar impact in the competitive sheet music market of the '30s had a real human being stood behind it, but this was not the case. Producer, A&R man, label owner, and shade tree songwriter Joe Davis used the name John Paul Jones to cover his tracks in the case of material he concocted in the style of Gilbert & Sullivan. Davis was known not only for lots of publishing ventures but lots of aliases as well, ranging from the potentially sanctified Reverend Jackson to the lame-brained E.V. Body. As John Paul Jones, his masterwork seems to have been a pompous ditty entitled "I'm a Very Highly Educated Man," a singsong claim that falls somewhere in between "I'm Just a Singer (In a Rock & Roll Band)" and "I'm a Midnight Mover." Davis published the song in the same mysterious raft of folios as the famous "Clyde Barrow and Bonnie Parker" ballad -- written by J. Russel Robinson under the alias of Joe Hoover -- and the eloquent "Mrs. Jimmie Rodgers Lament," another Davis creation but published under the alias of Richard Kuster.
By Eugene Chadbourne, All Music Guide
By Eugene Chadbourne, All Music Guide
Thursday, July 28, 2011
Guns 'N Roses - Use Your Illusion II (1992)
Use Your Illusion II is a live VHS/DVD by Guns N' Roses. Filmed live at the Tokyo Dome, Japan on February 22, 1992 during the Japanese leg of the Use Your Illusion tour, this recording features the second half of the concert, the first half appearing on sister volume Use Your Illusion I.
Format: Avi
Size: 570 MB
Runtime: 90 min
Guns N' Roses - Use Your Illusion I (1992)
Use Your Illusion I is a live DVD by Guns N' Roses. Filmed live at the Tokyo Dome, Japan on February 22, 1992 during the Japanese leg of the Use Your Illusion tour, this recording features the first half of the concert, the second half appearing on sister volume Use Your Illusion II.
Format: Avi
Size: 700 MB
Runtime: 90 min
Megadeth
Megadeth is an American heavy metal band from Los Angeles, California, formed in 1983. Founded by guitarist/vocalist Dave Mustaine and bassist Dave Ellefson. In the band's 28 active years, there have been over 20 individuals that have all officially been a part of the group at different times, with Dave Mustaine and David Ellefson being the only original members still in the line-up, with Ellefson leaving temporarily. Megadeth is known for its distinctive, technical instrumental style, often featuring dense, intricate passages. and trade-off guitar solos, as well as for Mustaine's recurring lyrical themes including politics, war, addiction, personal relationships, and religious themes. With over 30 million albums sold worldwide, ten top 40 albums (including 5 top 10 albums), 18 top 40 Mainstream Rock singles, and nine Grammy nominations, Megadeth remains one of the most successful heavy metal bands of all time. Of the "Big Four" thrash metal bands (Megadeth, Metallica, Anthrax, and Slayer), Megadeth is second only to Metallica in sales and commercial success.In 2004, Guitar World magazine ranked Dave Mustaine and Marty Friedman together at #19 on the 100 Greatest Heavy Metal Guitarists of All Time. Megadeth are also ranked 69th on "VH1's 100 Greatest Artists of Hard Rock" list.
Discography:
1985 - Killing Is My Business
01. Last Rites – Loved To Deth
02. Killing Is My Business…And Business Is Good
03. The Skull Beneath The Skin
04. Rattlehead
05. Chosen Ones
06. Looking Down The Cross
07. Mechanix
08. These Boots
09. Last Rites – Loved To Deth
10. Mechanix
11. The Skull Beneath The Skin
02. Killing Is My Business…And Business Is Good
03. The Skull Beneath The Skin
04. Rattlehead
05. Chosen Ones
06. Looking Down The Cross
07. Mechanix
08. These Boots
09. Last Rites – Loved To Deth
10. Mechanix
11. The Skull Beneath The Skin
1986 - Peace Sells... But Whos Buying
01. Wake Up Dead
02. The Conjuring
03. Peace Sells
04. Devils Island
05. Good Mourning/Black Friday
06. Bad Omen
07. I Ain’t Superstitious
08. My Last Words
09. Wake Up Dead
10. The Conjuring
11. Peace Sells
12. Good Mourning/Black Friday
02. The Conjuring
03. Peace Sells
04. Devils Island
05. Good Mourning/Black Friday
06. Bad Omen
07. I Ain’t Superstitious
08. My Last Words
09. Wake Up Dead
10. The Conjuring
11. Peace Sells
12. Good Mourning/Black Friday
1988 - So Far So Good So What
01. Into The Lungs Of Hell
02. Set The World Afire
03. Anarchy In The U.K
04. Mary Jane
05. 502
06. In My Darkest Hour
07. Liar
08. Hook In Mouth
09. Into The Lungs Of Hell
10. Set The World Afire
11. Mary Jane
12. In My Darkest Hour
02. Set The World Afire
03. Anarchy In The U.K
04. Mary Jane
05. 502
06. In My Darkest Hour
07. Liar
08. Hook In Mouth
09. Into The Lungs Of Hell
10. Set The World Afire
11. Mary Jane
12. In My Darkest Hour
1990 - Rust In Peace
01. Holy Wars… The Punishment Due
02. Hangar 18
03. Take No Prisoners
04. Five Magics
05. Poison Was The Cure
06. Lucretia
07. Tornado Of Souls
08. Dawn Patrol
09. Rust In Peace… Polaris
10. My Creation
11. Rust In Peace… Polaris
12. Holy Wars… The Punishment Due
13. Take No Prisoners
02. Hangar 18
03. Take No Prisoners
04. Five Magics
05. Poison Was The Cure
06. Lucretia
07. Tornado Of Souls
08. Dawn Patrol
09. Rust In Peace… Polaris
10. My Creation
11. Rust In Peace… Polaris
12. Holy Wars… The Punishment Due
13. Take No Prisoners
1992 - Countdown To Extinction
01. Skin o’ My Teeth
02. Symphony of Destruction
03. Architecture of Aggression
04. Foreclosure of a Dream
05. Sweating Bullets
06. This Was My Life
07. Countdown to Extinction
08. High Speed Dirt
09. Psychotron
10. Captive Honour
11. Ashes in Your Mouth
02. Symphony of Destruction
03. Architecture of Aggression
04. Foreclosure of a Dream
05. Sweating Bullets
06. This Was My Life
07. Countdown to Extinction
08. High Speed Dirt
09. Psychotron
10. Captive Honour
11. Ashes in Your Mouth
1994 - Youthanasia
01. Reckoning Day 02. Train Of Consequences
03. Addicted To Chaos
04. A Tout Le Monde
05. Elysian Fields
06. The Killing Road
07. Blood Of Heroes
08. Family Tree
09. Youthanasia
10. I Thought I Knew It All
11. Black Curtains
12. Victory
1995 - Hidden Treasures
01. No More Mr. Nice Guy 02. Breakpoint
03. Go To Hell
04. Angry Again
05. 99 Ways To Die
06. Paranoid
07. Diadem
08. Problems
1997 - Cryptic Writings
01. Trust
02. Almost Honest
03. Use the Man
04. Mastermind
05. The Disintegrators
06. I’ll Get Even
07. Sin
08. A Secret Place
09. Have Cool, Will Travel
10. She-Wolf
11. Vortex
12. FFF
13. Trust
14. Evil That’s Within
15. Vortex
16. Bullprick
02. Almost Honest
03. Use the Man
04. Mastermind
05. The Disintegrators
06. I’ll Get Even
07. Sin
08. A Secret Place
09. Have Cool, Will Travel
10. She-Wolf
11. Vortex
12. FFF
13. Trust
14. Evil That’s Within
15. Vortex
16. Bullprick
1999 - Risk
01. Insomnia
02. Prince Of Darkness
03. Enter The Arena
04. Crush ‘Em
05. Breadline
06. The Doctor Is Calling
07. I’ll Be There
08. Wanderlust
09. Ecstasy
10. Seven
11. Time: The Beginning
12. Time: The End
02. Prince Of Darkness
03. Enter The Arena
04. Crush ‘Em
05. Breadline
06. The Doctor Is Calling
07. I’ll Be There
08. Wanderlust
09. Ecstasy
10. Seven
11. Time: The Beginning
12. Time: The End
2000 - Capitol Punishment The Megadeth Years
01. Kill The King 02. Dread And The Fugitive Mind
03. Crush ‘Em
04. Use The Man
05. Almost Honest
06. Trust
07. A Tout Le Monde
08. Train Of Consequences
09. Sweating Bullets
10. Symphony Of Destruction
11. Hangar 18
12. Holy Wars… The Punishment Due
13. In My Darkest Hour
14. Peace Sells
2001 - The World Needs A Hero
01. Disconnect
02. The World Needs A Hero
03. Moto Psycho
04. 1000 Times Goodbye
05. Burning Bridges
06. Promises
07. Recipe For Hate… Warhorse
08. Losing My Senses
09. Dread And The Fugitive Mind
10. Silent Scorn
11. Return To Hangar
12. When
02. The World Needs A Hero
03. Moto Psycho
04. 1000 Times Goodbye
05. Burning Bridges
06. Promises
07. Recipe For Hate… Warhorse
08. Losing My Senses
09. Dread And The Fugitive Mind
10. Silent Scorn
11. Return To Hangar
12. When
2002 - Rude Awakening
CD 1.
01. Dread And The Fugitive Mind
02. Kill The King
03. Wake Up Dead
04. In My Darkest Hour
05. Angry Again
06. She Wolf
07. Reckoning Day
08. Devil’s Island
09. Train Of Consequences
10. A Tout Le Monde
11. Burning Bridges
12. Hangar 18
13. Return To Hangar
14. Hook In Mouth
02. Kill The King
03. Wake Up Dead
04. In My Darkest Hour
05. Angry Again
06. She Wolf
07. Reckoning Day
08. Devil’s Island
09. Train Of Consequences
10. A Tout Le Monde
11. Burning Bridges
12. Hangar 18
13. Return To Hangar
14. Hook In Mouth
CD 2.
01. Almost Honest
02. 1000 Times Goodbye
03. Mechanix
04. Tornado Of Souls
05. Ashes In Your Mouth
06. Sweating Bullets
07. Trust
08. Symphony Of Destruction
09. Peace Sells
10. Holy Wars
02. 1000 Times Goodbye
03. Mechanix
04. Tornado Of Souls
05. Ashes In Your Mouth
06. Sweating Bullets
07. Trust
08. Symphony Of Destruction
09. Peace Sells
10. Holy Wars
2002 - Still Alive, And Well
01. Time/Use The Man 02. The Conjuring
03. In My Darkest Hour
04. Sweating Bullets
05. Symphony Of Destruction
06. Holy Wars
07. Moto Psycho
08. Dread And The Fugitive Mind
09. Promises
10. The Worlds Needs A Hero
11. Burning Bridges
12. Return To Hangar
2004 - The System Has Failed
01. Blackmail The Universe
02. Die Dead Enought
03. Kick The Chair
04. The Scorpion
05. Tears In A Vial
06. I Know Jack
07. Back In The Day
08. Something That I’m Not
09. Truth Be Told
10. Of Mice And Men
11. Shadows Of Deth
12. My Kingdom
02. Die Dead Enought
03. Kick The Chair
04. The Scorpion
05. Tears In A Vial
06. I Know Jack
07. Back In The Day
08. Something That I’m Not
09. Truth Be Told
10. Of Mice And Men
11. Shadows Of Deth
12. My Kingdom
2005 - Back To The Start ( Greatest Hits)
01. Holy Wars… The Punishment Due
02. In My Darkest Hour
03. Peace Sells
04. Sweating Bullets
05. Angry Again
06. A Tout Le Monde
07. Trust
08. Kill The King
09. Symphony Of Destruction
10. Mechanix
11. Train Of Consequences
12. Wake Up Dead
13. Hangar 18
14. Dread And The Fugitive Mind
15. Skin O’ My Teeth
16. She-Wolf
17. Prince Of Darkness
02. In My Darkest Hour
03. Peace Sells
04. Sweating Bullets
05. Angry Again
06. A Tout Le Monde
07. Trust
08. Kill The King
09. Symphony Of Destruction
10. Mechanix
11. Train Of Consequences
12. Wake Up Dead
13. Hangar 18
14. Dread And The Fugitive Mind
15. Skin O’ My Teeth
16. She-Wolf
17. Prince Of Darkness
2007 - That One Night Live In Buenos Aires
CD 1.
01. Jet
02. Blackmail The Universe
03. Set The World Afire
04. Skin Of My Teeth
05. Wake Up Dead
06. In My Darkest Hour
07. Die Dead Enought
08. She Wolf
09. Reckoning Day
10. A Tout Le Monde
11. Angry Again
02. Blackmail The Universe
03. Set The World Afire
04. Skin Of My Teeth
05. Wake Up Dead
06. In My Darkest Hour
07. Die Dead Enought
08. She Wolf
09. Reckoning Day
10. A Tout Le Monde
11. Angry Again
CD 2.
01. Hangar 18
02. Return To Hangar
03. I’ll Be There
04. Tornado Of Souls
05. Trust
06. Something That I’m Not
07. Kick The Chair
08. Coming Home To Argentina
09. Symphony Of Destruction
10. Peace Sells
11. Holy Wars
02. Return To Hangar
03. I’ll Be There
04. Tornado Of Souls
05. Trust
06. Something That I’m Not
07. Kick The Chair
08. Coming Home To Argentina
09. Symphony Of Destruction
10. Peace Sells
11. Holy Wars
2007 - United Abominations
01. Sleepwalker
02. Washington Is Next!
03. Never Walk Alone… A Call To Arms
04. United Abominations
05. Gears Of War
06. Blessed Are The Dead
07. PLay For Blood
08. A Tout Le Monde
09. Amerikhastan
10. You’re Dead
11. Burnt Ice
12. Out On The Tiles
13. Black Swan
02. Washington Is Next!
03. Never Walk Alone… A Call To Arms
04. United Abominations
05. Gears Of War
06. Blessed Are The Dead
07. PLay For Blood
08. A Tout Le Monde
09. Amerikhastan
10. You’re Dead
11. Burnt Ice
12. Out On The Tiles
13. Black Swan
2007 - Warchest (Box Set)
CD 1.01. Killing Is My Business…And Business Is Good!
02. The Skull Beneath The Skin
03. Peace Sells
04. Wake Up Dead
05. Devils Island
06. Set The World Afire
07. Into The Lungs Of Hell
08. Anarche/Problems
09. Hook In Mouth
10. Liar
11. In My Darkest Hour
12. No More Mr. Nice Guys
13. Dark Themes…
14. Holy Wars…The Punishment Due
15. Tornado Of Souls
16. Five Magics
17. Hangar 18
02. The Skull Beneath The Skin
03. Peace Sells
04. Wake Up Dead
05. Devils Island
06. Set The World Afire
07. Into The Lungs Of Hell
08. Anarche/Problems
09. Hook In Mouth
10. Liar
11. In My Darkest Hour
12. No More Mr. Nice Guys
13. Dark Themes…
14. Holy Wars…The Punishment Due
15. Tornado Of Souls
16. Five Magics
17. Hangar 18
CD 2.
01. Keeping Score…
02. Symphony Of Destruction
03. Go To Hell
04. Foreclosure Of Dream
05. Architecture Of Aggression
06. Skin O’ My Teeth
07. High Speed Dirt
08. Ashes In Your Mouth
09. Sweating Bullets
10. Breakpoint
11. Angry Again
12. Train Of Consecuences
13. Reckoning Day
14. New World Order
15. The Killing Road
16. Strange Ways
17. Paranoid
18. Diadems
19. A Tout Le Monde
02. Symphony Of Destruction
03. Go To Hell
04. Foreclosure Of Dream
05. Architecture Of Aggression
06. Skin O’ My Teeth
07. High Speed Dirt
08. Ashes In Your Mouth
09. Sweating Bullets
10. Breakpoint
11. Angry Again
12. Train Of Consecuences
13. Reckoning Day
14. New World Order
15. The Killing Road
16. Strange Ways
17. Paranoid
18. Diadems
19. A Tout Le Monde
CD 3.
01. Trust
02. Almost Honest
03. Use The Man
04. She Wolf
05. A Secret Place 06. One Thing
07. Duke Nukem
08. Insomnia
09. Crush ‘Em
10. Kill The King
11. Dread And The Fugitive Mind
12. Never Say Die
13. Moto Psycho
14. 1000 Times Goodbye
15. Coming Home
16. Kick The Chair
17. Of Mice And Men
02. Almost Honest
03. Use The Man
04. She Wolf
05. A Secret Place 06. One Thing
07. Duke Nukem
08. Insomnia
09. Crush ‘Em
10. Kill The King
11. Dread And The Fugitive Mind
12. Never Say Die
13. Moto Psycho
14. 1000 Times Goodbye
15. Coming Home
16. Kick The Chair
17. Of Mice And Men
CD 4 – (Live at Wembley Stadium, London, England 10-16-90)
01. Intro-Rattlehead
02. Wake Up Dead
03. Hangar 18
04. Hook In Mouth
05. The Conjuring
06. In My Darkest Hour
07. Lucretia
08. Devil’s Island
09. Take No Prisoners
10. Peace Sells
11. Black Friday
12. It’s Electric
13. Anarchy In The U.K.
02. Wake Up Dead
03. Hangar 18
04. Hook In Mouth
05. The Conjuring
06. In My Darkest Hour
07. Lucretia
08. Devil’s Island
09. Take No Prisoners
10. Peace Sells
11. Black Friday
12. It’s Electric
13. Anarchy In The U.K.
2008 - Anthology: Set The World Afire
CD 1.
01. Mechanix
02. Rattlehead
03. Peace Sells
04. Wake Up Dead
05. Devils Island
06. Anarchy In the U.K.
07. Set The World Afire
08. Into The Lungs Of Hell
09. In My Darkest Hour
10. Holy Wars…the Punishment Due
11. Tornado of Souls
12. Hangar 18
13. Take No Prisoners
14. Go To Hell
15. Sweating Bullets
16. Crown Of Worms
17. High Speed Dirt
02. Rattlehead
03. Peace Sells
04. Wake Up Dead
05. Devils Island
06. Anarchy In the U.K.
07. Set The World Afire
08. Into The Lungs Of Hell
09. In My Darkest Hour
10. Holy Wars…the Punishment Due
11. Tornado of Souls
12. Hangar 18
13. Take No Prisoners
14. Go To Hell
15. Sweating Bullets
16. Crown Of Worms
17. High Speed Dirt
CD 2.
01. Skin O’ My Teeth
02. Ashes In Your Mouth
03. Breakpoint
04. Angry Again
05. Train of Consenquences
06. Reckoning Day
07. A Tout Le Monde
08. The Killing Road
09. New World Order
10. Trust
11. She-Wolf
12. Insomnia
13. Prince Of Darkness
14. Kill The King
15. Dread And The Fugitive Mind
16. Foreclosure of a Dream
17. Symphony Of Destruction
18. Peace Sells
02. Ashes In Your Mouth
03. Breakpoint
04. Angry Again
05. Train of Consenquences
06. Reckoning Day
07. A Tout Le Monde
08. The Killing Road
09. New World Order
10. Trust
11. She-Wolf
12. Insomnia
13. Prince Of Darkness
14. Kill The King
15. Dread And The Fugitive Mind
16. Foreclosure of a Dream
17. Symphony Of Destruction
18. Peace Sells
2009 - Endgame
01. Dialectic Chaos
02. This Day We Fight!
03. 44 Minutes
04. 1,320
05. Bite The Hand That Feeds
06. Bodies Left Behind
07. Endgame
08. The Hardest Part Of Letting Go… Sealed With A Kiss
09. Headcrusher
10. How The Story Ends
11. The Right To Go Insane
02. This Day We Fight!
03. 44 Minutes
04. 1,320
05. Bite The Hand That Feeds
06. Bodies Left Behind
07. Endgame
08. The Hardest Part Of Letting Go… Sealed With A Kiss
09. Headcrusher
10. How The Story Ends
11. The Right To Go Insane
2010 - Rust In Peace (Live)
01. Holy Wars ... The Punishment Due
02. Hangar 18
03. Take No Prisoners
04. Five Magics
05. Poison Was The Cure
06. Lucretia
07. Tornado Of Souls
08. Dawn Patrol
09. Rust In Peace ... Polaris
10. Holy Wars
11. Skin O My Teeth
12. In My Darkest Hour
13. She-Wolf
14. Trust
15. Symphony Of Destruction
16. Peace Sells
02. Hangar 18
03. Take No Prisoners
04. Five Magics
05. Poison Was The Cure
06. Lucretia
07. Tornado Of Souls
08. Dawn Patrol
09. Rust In Peace ... Polaris
10. Holy Wars
11. Skin O My Teeth
12. In My Darkest Hour
13. She-Wolf
14. Trust
15. Symphony Of Destruction
16. Peace Sells
The Doors
The Doors were an American rock band formed in 1965 in Los Angeles, California, with vocalist Jim Morrison, keyboardist Ray Manzarek, drummer John Densmore, and guitarist Robby Krieger. They were among the most controversial rock acts of the 1960s, due mostly to Morrison's wild, poetic lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until finally disbanding in 1973.Although The Doors' active career ended in 1973, their popularity has persisted. According to the RIAA, they have sold over 35 million albums in the US alone. The band has sold nearly 100 million albums worldwide. Ray Manzarek and Robby Krieger continue to tour as Manzarek-Krieger, performing Doors songs exclusively. Three of the band's studio albums, The Doors (1967), Strange Days (1967), and L.A. Woman (1971), were featured in the Rolling Stone list of The 500 Greatest Albums of All Time, at positions 42, 407 and 362 respectively. In 1993, The Doors were inducted into the Rock and Roll Hall of Fame.
Discography:
1967 - The Doors
1. Break On Through 2. Soul Kitchen
3. The Crystal Ship
4. Twentieth Century Fox
5. Alabama Song
6. Light My Fire
7. Back Door Man
8. I Looked At You
9. End Of The Night
10. Take It As It Comes
11. The End
1967 - Strange Days
1. Strange Days
2. You’re Lost Little Girl
3. Love Me Two Times
4. Unhappy Girl
5. Horse Lattitudes
6. Moonlight Drive
7. People Are Strange
8. My Eyes Have Seen You
9. I Can’t See Your Face In My Mind
10. When the Music’s Over
2. You’re Lost Little Girl
3. Love Me Two Times
4. Unhappy Girl
5. Horse Lattitudes
6. Moonlight Drive
7. People Are Strange
8. My Eyes Have Seen You
9. I Can’t See Your Face In My Mind
10. When the Music’s Over
1968 - Waiting for the Sun
1. Hello, I Love You
2. Love Street
3. Not To Touch The Earth
4. Summer’s Almost Gone
5. Wintertime Love
6. The Unknown Soldier
7. Spanish Caravan
8. My Wild Love
9. We Could Be So Good Together
10. Yes, the River Knows
11. Five To One
12. Albinoni’s Adagio in G Minor
2. Love Street
3. Not To Touch The Earth
4. Summer’s Almost Gone
5. Wintertime Love
6. The Unknown Soldier
7. Spanish Caravan
8. My Wild Love
9. We Could Be So Good Together
10. Yes, the River Knows
11. Five To One
12. Albinoni’s Adagio in G Minor
Bonus Tracks
13. Not to Touch the Earth” (Dialogue)
14. Not to Touch the Earth” (Take 1) 15. Not to Touch the Earth”
14. Not to Touch the Earth” (Take 1) 15. Not to Touch the Earth”
(Take 2) 16. Celebration of The Lizard
1969 - The Soft Parade
1. Tell all the People
2. Touch me
3. Shaman’s blues
4. Do it
5. Easy ride
6. Wild child
7. Runnin’ blue
8. Wishful sinful
9. The soft parade
2. Touch me
3. Shaman’s blues
4. Do it
5. Easy ride
6. Wild child
7. Runnin’ blue
8. Wishful sinful
9. The soft parade
1970 - Absolutely Live
1. House Announcer 2. Who Do You Love
3. Alabama Song
4. Backdoor Man
5. Love Hides
6. Five To One
7. Build Me A Woman
8. When The Music’s Over
9. Close To You
11. Universal Mind
12. Petition The Lord With Prayer
13. Break On Through
14. Lions in the Street
15. Wake Up
16. A Little Game
17. The Hill Dwellers
18. Not to Touch the Earth
19. Names of the Kingdom
20. The Palace of Exile
21. Soul Kitchen
1970 - Morrison Hotel
1. Roadhouse Blues
2. Waiting for the Sun
3. You Make Me Real
4. Peace Frog
5. Blue Sunday
6. Ship of Fools
7. Land Ho!
8. The Spy
9. Queen of the Highway
10. Indian Summer
11. Maggie M’Gill
2. Waiting for the Sun
3. You Make Me Real
4. Peace Frog
5. Blue Sunday
6. Ship of Fools
7. Land Ho!
8. The Spy
9. Queen of the Highway
10. Indian Summer
11. Maggie M’Gill
1970 - Palace of Exile (Live At The Isle Of Wigh)
1. Back Door Man 2. Break On Through
3. When The Music’s Over
4. Ship Of Fools
5. Roadhouse Blues
6. Light Ny Fire
7. The End
1971 - LA Woman
1. The Changeling
2. Love Her Madly
3. Been Down So Long
4. Cars Hiss By My Window
5. L.A Woman
6. L’America
7. Hyacinth House
8. Crawling King Snake
9. The WASP
10. Riders on the Storm
2. Love Her Madly
3. Been Down So Long
4. Cars Hiss By My Window
5. L.A Woman
6. L’America
7. Hyacinth House
8. Crawling King Snake
9. The WASP
10. Riders on the Storm
1971 - Other Voices
1. In the Eye of the Sun
2. Variety Is the Spice of Life
3. Ships w/Sails
4. Tightrope Ride
5. Down on the Farm
6. I’m Horny, I’m Stoned
7. Wandering Musician
8. Hang On to Your Life
2. Variety Is the Spice of Life
3. Ships w/Sails
4. Tightrope Ride
5. Down on the Farm
6. I’m Horny, I’m Stoned
7. Wandering Musician
8. Hang On to Your Life
1972 - Full Circle
1. Get up and dance 2. 4 Billion souls
3. Verdilac
4. Hardwood floor
5. Good rockin’
6. The mosquito
7. The piano bird
8. It slipped my mind
9. The Peking King And The New York
1978 - An American Prayer
1. Awake 2. Ghost Song
3. Dawn’s Highway
4. Newborn Awakening
5. To Come Of Age
6. Black Polished Chrome
7. Latino Chrome
8. Angels And Sailors
9. Stoned Immaculate
10. The Movie
11. Curses, Invocations
12. American Night
13. Roadhouse Blues
14. The World On Fire
15. Lament
16. The Hitchhiker
17. An American Prayer
18. Hour For Magic
19. Freedom Exists
20. A Feast Of Friends
21. Babylon Fading
22. Bird Of Prey
23. The Ghost Song
1983 - Alive She Cried
1. Gloria 2. Light My Fire
3. You Make Me Real
4. The WASP
5. Love Me Two Times
6. Little Red Rooster
7. Moonlight Drive
1985 - The Best of The Doors
CD 1.
1. Break on Through
2. Light my Fire
3. The Crystal Ship
4. People are Stranged
5. Strange Days
6. Love me Two Times
7. Alabama Song
8. Five to One
9. Waiting for the Sun
10. Spanish Caravan
11. When the Music’s Over
2. Light my Fire
3. The Crystal Ship
4. People are Stranged
5. Strange Days
6. Love me Two Times
7. Alabama Song
8. Five to One
9. Waiting for the Sun
10. Spanish Caravan
11. When the Music’s Over
CD 2.
1. Hello, I Love You
2. Roadhouse Blues
3. L.A. Woman
4. Riders of the Storm
5. Touche me
6. Love her Madly
7. The Unknown Soldier
8. The End
2. Roadhouse Blues
3. L.A. Woman
4. Riders of the Storm
5. Touche me
6. Love her Madly
7. The Unknown Soldier
8. The End
1991 - In Concert (1970)
CD 1.
1. House Announcer
2. Who Do You Love?
3. Alabama Song
4. Back Door Man
5. Love Hides
6. Five to One
7. Build Me a Woman
8. When the Music’s Over
9. Universal Mind
10. Petition the Lord with Prayer
11. Dead Cats, Dead Rats
12. Break on Through
13. Lions in the Street
14. Wake Up
15. A Little Game
16. The Hill Dwellers
17. Not to Touch the Earth
18. Names of the Kingdom
19. The Palace of Exile
20. Soul Kitchen
2. Who Do You Love?
3. Alabama Song
4. Back Door Man
5. Love Hides
6. Five to One
7. Build Me a Woman
8. When the Music’s Over
9. Universal Mind
10. Petition the Lord with Prayer
11. Dead Cats, Dead Rats
12. Break on Through
13. Lions in the Street
14. Wake Up
15. A Little Game
16. The Hill Dwellers
17. Not to Touch the Earth
18. Names of the Kingdom
19. The Palace of Exile
20. Soul Kitchen
CD 2.
1. Roadhouse Blues
2. Gloria
3. Light My Fire
4. You Make Me Real
5. Texas Radio & The Big Beat
6. Love Me Two Times
7. Little Red Rooster
8. Moonlight Drive
9. Close To You
10. Unknown Soldier
11. The End
2. Gloria
3. Light My Fire
4. You Make Me Real
5. Texas Radio & The Big Beat
6. Love Me Two Times
7. Little Red Rooster
8. Moonlight Drive
9. Close To You
10. Unknown Soldier
11. The End
1992 - The Missing Tapes
1. Whiskey, Mystics And Men
2. The Soft Parade Intro N.1:
A. Petition The Lord With Prayer
B. Whiskey, Mystics And Men
C. Petition The Lord With Prayer
3. Love Me Tender
4. Rock Is Dead #1
5. Me And The Devil Blues
6. Rock Is Dead #2
7. Rock Is Dead #3
8. Rock Is Dead #4
9. Queen Of The Magazines
10. Medley
2. The Soft Parade Intro N.1:
A. Petition The Lord With Prayer
B. Whiskey, Mystics And Men
C. Petition The Lord With Prayer
3. Love Me Tender
4. Rock Is Dead #1
5. Me And The Devil Blues
6. Rock Is Dead #2
7. Rock Is Dead #3
8. Rock Is Dead #4
9. Queen Of The Magazines
10. Medley
2000 - Bright Midnight Sampler
1. Light My Fire 2. Been Down So Long
3. Back Door Man
4. Love Hides
5. Five To One
6. Touch Me
7. The Crystal Ship
8. Break On Through
9. Bellowing
10. Roadhouse Blues
11. Alabama Song
12. Love Me Two Times/Baby Please Don’t Go
13. The End
2000 - Essential Rarities
1. Hello To The Cities
2. Break On Through
3. Roadhouse Blues
4. Hyacinth House
5. Who Scared You
6. Whiskey, Mystics & Men
7. I Will Never Be Untrue
8. Moonlight Drive
9. Queen Of The Highway
10. Someday Soon
11. Hello, I Love You
12. Orange County Suite
13. The Soft Parade
14. The End
15. Woman Is A Devil
2. Break On Through
3. Roadhouse Blues
4. Hyacinth House
5. Who Scared You
6. Whiskey, Mystics & Men
7. I Will Never Be Untrue
8. Moonlight Drive
9. Queen Of The Highway
10. Someday Soon
11. Hello, I Love You
12. Orange County Suite
13. The Soft Parade
14. The End
15. Woman Is A Devil
2000 - Stoned Inmaculate (A Tribute To The Doors)
1. Break on Through (To the Other Side) – Stone Temple Pilots
2. Riders on the Storm – Creed
3. Light My Fire – Train
4. Peace Frog – Smash Mouth
5. L.A. Woman – Days Of The New
6. Love Me Two Times – Aerosmith
7. Under Waterfall – The Doors
8. Wild Child – The Cult
9. Roadhouse Rap – Jim Morrison
10. Roadhouse Blues – John Lee Hoocker & Jim Morrison
11. Is Everybody In? – William S. Burroughs
12. Hello I Love You – Oleander
13. Touch Me – Ian Astbury
14. Children of Night – Perry Farrell & Exene Cervenka
15. Love Her Madly – Bo Diddley
16. The Cosmic Movie – The Doors
17. The End – Days Of The New
2. Riders on the Storm – Creed
3. Light My Fire – Train
4. Peace Frog – Smash Mouth
5. L.A. Woman – Days Of The New
6. Love Me Two Times – Aerosmith
7. Under Waterfall – The Doors
8. Wild Child – The Cult
9. Roadhouse Rap – Jim Morrison
10. Roadhouse Blues – John Lee Hoocker & Jim Morrison
11. Is Everybody In? – William S. Burroughs
12. Hello I Love You – Oleander
13. Touch Me – Ian Astbury
14. Children of Night – Perry Farrell & Exene Cervenka
15. Love Her Madly – Bo Diddley
16. The Cosmic Movie – The Doors
17. The End – Days Of The New
2001 - Backstage and Dangerous - The Private Rehearsal
CD 1.
01 .We're Rolling
02 .I Will Never Be Untrue
03 .Peace Frog
04 .Blue Sunday
05 .Maggie M'Gill
06 .Arranging (You Need Meat) Don't Go No Further
07. Don't Go No Further
08 .Arranging Close To You
09 .Close To You
10 .Arranging Gloria
11 .Gloria
12 .Mystery Train Rehearsal
13 .Mystery Train-Crossroads
02 .I Will Never Be Untrue
03 .Peace Frog
04 .Blue Sunday
05 .Maggie M'Gill
06 .Arranging (You Need Meat) Don't Go No Further
07. Don't Go No Further
08 .Arranging Close To You
09 .Close To You
10 .Arranging Gloria
11 .Gloria
12 .Mystery Train Rehearsal
13 .Mystery Train-Crossroads
CD 2.
01 .Continued.mp3 0 Mb
02 .Thousands of Dollars Rest Upon This Day
03 .I'm Your Doctor
04 .Hyper Yachting
05 .Build Me a Woman
06 .Yachting
07 .Cars Hiss By My Window
08 .Money Beats Soul
09 .Mental Floss
10 .Jazzy Maggie McGill
11 .Jazzy Maggie McGill
02 .Thousands of Dollars Rest Upon This Day
03 .I'm Your Doctor
04 .Hyper Yachting
05 .Build Me a Woman
06 .Yachting
07 .Cars Hiss By My Window
08 .Money Beats Soul
09 .Mental Floss
10 .Jazzy Maggie McGill
11 .Jazzy Maggie McGill
2001 - Bright Midnight Live in America
1. "Light My Fire"
2. "Been Down So Long"
3. "Back Door Man"
4. "Love Hides"
5. "Five to One"
6. "Touch Me"
7. "Crystal Ship"
8. "Break on Through (To the Other Side)"
9. "Bellowing"
10. "Roadhouse Blues"
11. "Alabama Song (Whisky Bar)"
12. "Love Me Two Times"
13. "The End"
2. "Been Down So Long"
3. "Back Door Man"
4. "Love Hides"
5. "Five to One"
6. "Touch Me"
7. "Crystal Ship"
8. "Break on Through (To the Other Side)"
9. "Bellowing"
10. "Roadhouse Blues"
11. "Alabama Song (Whisky Bar)"
12. "Love Me Two Times"
13. "The End"
2008 - Live At The Matrix (1967)
CD 1.
1. Break On Through (To The Other Side)
2. Soul Kitchen
3. Money
4. The Crystal Ship
5. Twentieth Century Fox
6. I'm A King Bee
7. Alabama Song (Whisky Bar)
8. Summer's Almost Gone
9. Light My Fire
10. Get Out Of My Life Woman
11. Back Door Man
12. Who Do You Love
13. The End
2. Soul Kitchen
3. Money
4. The Crystal Ship
5. Twentieth Century Fox
6. I'm A King Bee
7. Alabama Song (Whisky Bar)
8. Summer's Almost Gone
9. Light My Fire
10. Get Out Of My Life Woman
11. Back Door Man
12. Who Do You Love
13. The End
CD 2.
1. Unhappy Girl
2. Moonlight Drive
3. Woman Is A Devil/Rock Me
4. People Are Strange
5. Close To You
6. My Eyes Have Seen You
7. Crawling King Snake
8. I Can't See Your Face In My Mind
9. Summertime
10. When The Music's Over
11. Gloria
2. Moonlight Drive
3. Woman Is A Devil/Rock Me
4. People Are Strange
5. Close To You
6. My Eyes Have Seen You
7. Crawling King Snake
8. I Can't See Your Face In My Mind
9. Summertime
10. When The Music's Over
11. Gloria
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